More Graffitti-ish, Less Playground-like

I have been "tagged." And while this is meant to be something along the lines of a playground game of tag amongst writers, I can't help feeling I've been whitewashed in the dead of night and then covered in garish neon hues arranged in abstract forms.

I was tagged by this guy:  http://misfitmusing.blogspot.com/ who, amongst other things, has some of the most eclectic yet also coolest hobbies I know. Seriously. Old cars, singing groups, and bees. You should check him out. (Plus he is often funny and witty.)

There are two parts to this tagging business. I shall deal with Part 1 now, with Part 2 to follow a little later, because this was already getting pretty long.

Part the First
In which, according to the rules, I answer some questions about a current project.

1. What is the working title of your book?

Well, it had a working title centered on the name of the town where the action takes place. Only, as I started to work on it, I realized that I had named the town after the wrong yearly calendrical event. Which is somewhat embarrassing and I've not yet figured out how I want to fix it. Yes, I could use the right event, but sadly, it sounds much less cool than the wrong one. So for right now, it's got the awesome title of [Series Character] Book #3. 

Catchy, isn't it?

2. What genre does the book fall under?

In an effort to be trail-blazing and/or entirely unpublishable, I've discovered I write in that interstice between Sci-fi and Urban Fantasy. I had an idea once that boiled down to "What if you took the characters of a UF book and dropped them into a neo-noir near-future setting?" Then I wrote on it. Then I wrote another book on it. And now I'm working on another one.

It does lean more sci-fi than UF, for the most part, but there are elements.

As I said, trail-blazer or forever unpublishable.

3. Which actors would you choose to play your characters for the movie rendition?

Jeremy Irons. But a younger Irons. Not too young. Die Hard 3 Jeremy Irons. Maybe Daniel Craig, if he could summon up a little more inner villain/anti-hero. That's my lead.

For the female lead, I'm tempted to list actors I want to meet. Which is terribly unprofessional. But, that said, Eva Green, because a number of her characters have just enough edge to them.

4. What is the one-sentence synopsis of your book?

Insomnia (the Nolan version) but with one vampire, a pack of werewolves, a more twisted killer than Robin Williams can ever hope to be, and all set slightly further into the future than where we are now. So robots and cybernetics and the like.

No flying cars, though.

Yes, I know that was more than one sentence.

5. Will your book be self-pubbed, e-pubbed, or represented by an agent?

The day I decide to self-pub is the day I decide I'm done. (No offense to those for whom it works, but it's not my route.) While I think e-pubs play a valuable role in the market, I still want an agent. It means something to me, not least of which is, someday, I want to actually see my book in print, on paper.

And don't tell me print is dead, because they've been saying that for decades. Books will be around, trust me. (Even if you don't, that's a longer blog post.)

6. How long did it take you to write the first draft of your manuscript?

I'm still working on it, so I'll let you know. Chronologically, this one has been in the works for a couple of years, but there were other projects and some personal stuff that snuck in front of it.

Also, I tend to work slow.

7. What other books would you compare this story to within your genre?

Ideally? Cross William Gibson with Jim Butcher. If you don't know who either of those are, I don't want to talk to you.

8. Who or what inspired you to write this book?

It was honestly watching Al Pacino stagger around in the film Insomnia and thinking to myself, "What if I took my lead vampire and sent him there instead of Al?" I frequently borrow (or steal, if you want) ideas from other works. I think if we're all honest, a lot of us do this, usually under the hubris of "I could do that better/more interestingly."

Which is what's led to a couple of my projects.

9. What else about your book might pique a reader's interest?

Pique is a great word.

Seriously, though, if vampires, werewolves, and robots wrapped up in a psycho-killer mystery set in a neo-noir near-future (think Bladerunner but less rain, more daylight, and, again, no flying cars - or a slightly less cutting-edge technobabbly William Gibson, whom I adore but would never consciously strive to emulate because I'm just not quite that egocentric) - if none of that has piqued your interest, I'm not sure how else to sell it to you.

Though there is some sex, so maybe that?


Part two to follow shortly.

The Art of Pretending

Halloween is one of my favorite holidays. In fact, aside from Christmas, this is probably it. I should, in the grand tradition of thing, devote this to my top horror reads or something, but the truth is I don't read a whole lot of horror. Nor do I watch a whole lot of horror films, in part because so many of them are just so very, very bad or else very, very stupid. Sometimes both - looking at you, Saw franchise. I'd have a tough time coming up with a top ten list, and it would likely be derivative of somebody else's.

Instead, I thought I'd try and figure out why I like the holiday so much. After all, I don't eat a lot of candy anymore, and I've not been to a costume party since I stopped being home for the annual church party - which was back when I left for college. My daughter and I do make a big deal out of it, creating our own costumes and taking months to plan out what we'll be. (Don't hate me. My costuming skills rely largely on a hot glue gun, a minimalist approach, and heavy imagination.) So sure, some of that enthusiasm rubs off. But my love of Halloween goes deeper than that.

I think part of it can be explained by the same part of me that likes the creative part of the writing process. In writing stories, I get to imagine different people, different settings, and to some extent pretend to be them. I don't see myself living vicariously through my characters, nor are any of them extensions of myself beyond the usual psychological borrowing we all do when we write. But by the same token, when I put on a costume I don't really see myself suddenly getting to do everything that person or creature would do, either.

Which is good, because one year I was a fish, and really, who wants to be a fish? It's not like it was in Finding Nemo, folks.

But there is a bit of that vicarious aspect to it. We can, by putting on a costume, pretend to be something. We can play at being someone we're not, from a Star Trek redshirt (should that be capitalized?) to a shuffling zombie, from a mermaid to a rock star. And if we're not pretending to be something, we get to capitalize on our sense of humor, or irony, or whatever other trait we put on display via our costume. It's not perfect, it's not complete, but it is there.

Which makes Halloween the only holiday where as writers we can vent the kind of creativity we normally only get to display on the printed page. Unless you're the arts and crafty type that does all those homemade Martha Stewart-esque home deco things. In which case you probably don't write, because I have no idea how you'd manage to find the time to do both. Assuming that's not the case, though, Halloween is the one time of year our creativity gets turned into something tangible. Something that can be - is meant to be - displayed, in probably the most welcoming venue any of us will ever submit anything to. (Neighbors and friends tend to be far more forgiving than editors and critics.)

Plus, there's candy. Lots and lots of candy.



PS: I was sorely tempted to start this little missive with the opening credo from The Pretender, but I'm not sure how many people would have actually remembered that.